Sarah Staton's 'Edith and Hans' to launch 15th September

Date 15.09.16

Time 6.30pm

Location Hiatt Baker and Wills Halls of Residence, Stoke Bishop, Bristol BS9 1AD


On the 15th September 2016 the University of Bristol will unveil a new public artwork by artist Sarah Staton. Commissioned by the University for it's Stoke Bishop site, the work was produced by Field Art Projects.


Located in a meadow between the Wills Hall and Hiatt Baker Halls of residence 'Edith and Hans' is conceived as an ‘outdoor room’, somewhere between a ruin and an archaeological find. The highly textured sculpture is constructed from artist-designed wood-fired tiles, reclaimed red and blue bricks and pennant stone and will provide a place for contemplation, a meeting space, a site for picnicking and a locale for stargazing. Surrounded by Elizabethan meadow planting designed by the artist and orientated to harness the warmth of the afternoon sun, the sculpture offers long views across Avonmouth and into Wales in one direction, and in the other, a view up to Wills Hall past its inspirational chimneys and beyond to the stars.

Staton’s practice combines design and art history influences with formal sculptural values, often mixing traditional craft techniques with cutting-edge technology. She draws together various influences in her work: in the case of Edith and Hans, making multiple references to both the historic site of the artwork and its contemporary context. This encompasses the formerly grand 19th century Downside House that was extended to become Wills Hall in the 1920s, and the five other halls of residence representing different architectural styles from across the 20th century that occupy the site today.

The sculptures are named after the artist’s grandmother Edith and great uncle Hans who both had personal connections to Bristol. As Director of Bristol Museum and Art Gallery, Hans knew the Wills and Hiatt Baker families who were patrons of the arts and gave their names to the adjacent halls of residence.

During the development of her proposal Sarah carried out extensive research into the history of the area, in particular the green spaces and buildings at Stoke Bishop.

“During my research I was struck by the prevalence of brickwork and decorative detailing in and around the Stoke Bishop site,” explained Staton. “I then discovered that Bristol has a rich history of brickmaking, many examples of which can be found in Bristol Museum & Art Gallery. Edith and Hans has been built using local reclaimed bricks and decorated with a bespoke tile that reflects both the University’s community and my émigré family connections.”

The tile design is formed like a monograph, composed of the symbols for major global currencies including the yen, euro, pound, dollar and rupee. The tile celebrates the University of Bristol’s diverse global community, and refers to the many countries across three continents Edith and Hans called home during their lifetimes.

Professor Guy Orpen, Deputy Vice-Chancellor of the University of Bristol, said, “Sarah has created an extraordinary permanent artwork for Stoke Bishop, which will no doubt be a popular spot for our students and the public to enjoy for years to come. What is so special about Edith and Hans is how it combines form with function to respond to the natural environment and enhance this beautiful open space in Stoke Bishop.”

The public art programme at Stoke Bishop forms part of the University’s commitment and overall ambition for public art set out in its 2008 international public art strategy. It seeks to meet a number of objectives that include adding to its growing collection of outstanding temporary and permanent artworks, reinforcing the distinctive aspects of the different types of gardens and parkland surrounding the halls of residence. The programme is also creating distinctive new landmarks throughout the grounds that can become meeting and talking points, promote orientation and encourage new uses of overlooked spaces.


High resolution images of Edith and Hans will be available shortly.

For further information or to arrange an interview please contact Kate Gordon on 07980 921961 or /

Sarah Staton

Sarah Staton (b.1961) creates work combining a sculptor’s sensibility with design, landscape and architecture. Her commissions have explored the interaction between audience and environment, for example becoming habitable or capable of supporting life. Sarah is interested in the tactile qualities and mix of hard and soft materials in the environment, an idea she returns to repeatedly in her work.

Staton’s work is held in collections all over the world including the Arts Council of England, British Museum, Henry Moore Institute, MIMA, Sunderland, South London Gallery and Tate, as well as private collections in Europe, North America and Japan. Staton is Senior Tutor at the Royal College of Art in London where she also lives and works.

Field Art Projects

Field Art Projects is an art consultancy based in Bristol run by curator and commissioner Theresa Bergne. Established in 1999, the organisation has more than a decade of experience commissioning visual artists, designers and performers to create permanent and temporary public artworks and events. Field Art Projects produced the public art strategy for the University of Bristol’s residential site at Stoke Bishop in 2012 and have delivered the programme to date. Additional projects include the public art programme for the Bristol Arena, a new 12,000 seat stadium for the city; Future Perfect co-curated with Jes Fernie, the first public art programme funded through a Neighbourhood Partnership where governance is extended to members of the local community; and the award winning public art programme for The Barts Breast Care Centre in London now heralded as an exemplar project for commissioning art in hospitals

Construction of the artwork

The artwork was constructed by Bristol-based building contractors Aztech Building Services, with groundworks by Earthworks. The bespoke wood-fired tiles were produced to the artist’s design by specialist brickmakers H G Matthews, and reclaimed bricks were sourced from Ronson Reclaim in Gloucestershire. The pennant sandstone was sourced from Royal Forest Pennant in Gloucestershire. The installation work was carried out by Aztech Construction and by the University Estates Office’s landscape team.

Steven Claydon’s work brings together objects recalling historical artefacts, cultural ephemera and geological samples, skillfully mixing different cultures and periods of history. Merging reality with fiction, and appearing at once meaningful and useless, Claydon’s works oscillate between an idea of truth and fantasy, seeming to offer a fragmented image of a future civilisation’s past. He will talk about his practice and new commission in Bristol.