Photo @ Chris Cooper

2023 - 2024




Exploring the ‘physicality of sound’ has shaped the creative vision behind four public art projects commissioned as part of the Bristol Beacon Transformation.

Music and visual art are natural partners. Both artforms excite when genres are crossed, ideas bubble and conversations happen.

At Bristol Beacon you can experience and explore a permanent collection of artworks; from sound installations, to ceramics, to murals and sculptures. They explore the physicality of sound and can be enjoyed on an intense personal level and as a joyful communal experience.

The commissioned artworks bring the art of music-making to life in visual form.  They enhance the venue through two central ideas:

  • – Music-making as a shared, communal artform
  • – The building’s social and cultural ties to the trading and manufacturing past of the city.

Together, the artists reframe the building for a modern audience.  The artworks reference the Beacon’s history in a contemporary way and allow the organisation to move forward, empowered by the past.

The vision for the permanent collection was provided by Theresa Bergne, Field Art Projects and commissioned by Bristol City Council.


By Libita Sibungu

Sonic poem, to be broadcast January 2024.

The history of Bristol Beacon is tied to the history of the city. That history includes the city’s role in the transatlantic slave trade and its inherent connection to water, the harbour and the sea.

In Undercurrents a sonic poem created by Libita Sibungu, Bristol Beacon’s history and its position on the water is re-conextualised in resonance with African diasporic experiences and Afrofuturism.

Developed from a series of workshops with black artists, writers and historians connected to Bristol, Libita has composed a two track audio artwork:  both a guided meditation and long form poem. Which poetically maps a way through violent hidden istories and dis/embodied memories, towards collective healing potentialities.

Undercurrents takes inspiration from: ‘Ruttier for the Marooned of the Diaspora a poem by Dionne Brand, in her seminal 2002 novel: A Map To the Door of No Return.

Photo @ Chris Cooper
“I am creating a soundwork developed from workshops on Bristol’s waterways, with black artists, writers, and historians, that pulls the Bristol Beacon into a different reimagined history with guided meditations, fiction writing, sound baths, and water rituals. Internally I’ve been asking; what happens when there isn’t a place for us to remember?”
Libita Sibungu


Libita Sibungu is an interdisciplinary artist who draws on her British-Namibian heritage to make discursive works that explore personal histories and colonial legacies inscribed in the body and land.  Often creating audio-visual outcomes rooted in performance, collage and sound ecologies, Libita’s work seeks to usher subversive pathways into the present through reimagining materiality, movement and collective healing in relationship to the environment.

She is the (2022) recipient of both the Paul Hamlyn and Arts Foundation Future awards.  Exhibitions have been presented with; Kunsthall Trondheim, Norway (2023); Sonsbeek, Netherlands, (2021); Spike Island, Gasworks, (UK), Cabaret Voltaire, Switzerland, (2019); Kalashnikovv Gallery, Johannesburg (2018); Diaspora Pavilion, 57th Venice Biennale (2017).

“The transformation of our building is about more than just the bricks and mortar. It has been an important and iconic venue in the heart of the city for many generations, so our public art programme will help us to ensure we make the most of and celebrate this special space, reflecting the 150-plus years of history whilst also looking forward to the future."
Louise Mitchell, chief executive of Bristol Beacon